Memorial Arno van Vlierberghe Peter Hughes has taken Cavalcanti’s

Peter Hughes has taken Cavalcanti’s groundbreaking poems and used them as springboards for his own creative versions

In which John F

Thus his poetry deviates from the gravity at every moment to remain a documentation of one who has left

hand-drawn artist’s book

a spinning Mercedez Benz ring outside Choi's Berlin window prompts a memory of her father on the Glienicker Bridge between Berlin and Potsdam

Memorial Arno van Vlierberghe Peter Hughes has taken Cavalcanti’sAlice Oswald Matthew Arnold praised the "Iliad" for its 'nobility', as has everyone ever since but ancient critics praised it for its enargeia, its 'bright unbearable reality' (the word used when gods come to earth not in disguise but as themselves). To retrieve the poem's energy, Alice Oswald has stripped away its story, and her account focuses by turns on Homer's extended similes and on the brief 'biographies' of the minor war dead, most of whom are